Incredible Phenomena Will Occur: Boundary Layers and Boundary Objects in Atmospheric Shifts and *(s)twerH
Curatorial essay accompanying Atmospheric Shifts at McIntosh Gallery, with extended discussion of Aeternum.
Selected critical writing on perception, colour, movement, transparency, power, and the thresholds through which images acquire spatial form.
Curatorial essay accompanying Atmospheric Shifts at McIntosh Gallery, with extended discussion of Aeternum.
A critical conversation addressing image, perception, spatial form, and the symbolic structures of power.
An exhibition text on colour separation, spatial perception, and embodied viewing.
An essay on linear perspective, phenomenological encounter, and the instability of the human viewpoint within geological time.
A credited exhibition text on perception, power, and technological vision, with a link to the complete bilingual catalogue.
From Relationscapes: Movement, Art, Philosophy, The MIT Press.
From David Spriggs: Archaeology of Space, Rodman Hall Art Centre and Southern Alberta Art Gallery, pp. 9–10.
A critical text on serialized time, vision, deconstruction, and symbolic power.