Gold: The story behind an anti-monument
An artist’s essay on the development of Gold and the history of his process.
Selected critical writing on the artwork of David Spriggs
An artist’s essay on the development of Gold and the history of his process.
From Relationscapes: Movement, Art, Philosophy, The MIT Press.
From David Spriggs: Archaeology of Space, Rodman Hall Art Centre and Southern Alberta Art Gallery, pp. 9–10.
A credited exhibition text on perception, power, and technological vision, with a link to the complete bilingual catalogue.
An exhibition text on colour separation, spatial perception, and embodied viewing.
A critical text on serialized time, vision, deconstruction, and symbolic power.
Press release for David Spriggs’ 2026 solo exhibition at Arsenal Contemporary New York.
A review of Blue at RAW: Gallery of Architecture & Design, Winnipeg, exploring colour, embodied perception, and the emergence and dissolution of form. Border Crossings, December 2013.
A critical conversation addressing image, perception, spatial form, and the symbolic structures of power.
An essay on linear perspective, phenomenological encounter, and the instability of the human viewpoint within geological time.