Of Force Fields and Rhythm Contours: David Spriggs’s Animate Sculptures
From Relationscapes: Movement, Art, Philosophy, The MIT Press.
Selected critical writing on the artwork of David Spriggs
From Relationscapes: Movement, Art, Philosophy, The MIT Press.
From David Spriggs: Archaeology of Space, Rodman Hall Art Centre and Southern Alberta Art Gallery, pp. 9–10.
A credited exhibition text on perception, power, and technological vision, with a link to the complete bilingual catalogue.
An exhibition text on colour separation, spatial perception, and embodied viewing.
A critical text on serialized time, vision, deconstruction, and symbolic power.
Press release for David Spriggs’ 2026 solo exhibition at Arsenal Contemporary New York.
A review of Blue at RAW: Gallery of Architecture & Design, Winnipeg, exploring colour, embodied perception, and the emergence and dissolution of form. Border Crossings, December 2013.
A critical conversation addressing image, perception, spatial form, and the symbolic structures of power.
An essay on linear perspective, phenomenological encounter, and the instability of the human viewpoint within geological time.