Emergence of Perception
- Artist
- David Spriggs
- Date
- 2008
- Dimensions
- 244 × 61 × 122 cm
96 × 24 × 48 in - Materials
- White paint on layered transparent sheets in a display case
- Exhibited
- Art Mûr, Montréal
Form appears through movement, as an event created between sculpture and viewer.
Emergence of Perception explores the moment at which dispersed marks begin to register as an animated form. Their alignment gives the subject rhythm and apparent momentum, while each change of viewpoint alters its continuity. Seeing unfolds through the movement of the body. The viewer follows contours, anticipates their direction and carries one impression into the next, giving the encounter a duration of its own. The sculpture makes this activity part of its subject: perception is experienced as something taking shape in time. Erin Manning develops this relationship between movement, rhythm and perception in her essay “Of Force Fields and Rhythm Contours: David Spriggs’ Animate Sculptures,” published in Relationscapes: Movement, Art, Philosophy (MIT Press).







